For their 11th Drag Opera Extravaganza, Heartbeat Opera unleashes a deliciously twisted tale of old wounds, scorned lovers, and sweet, sweet retribution. When Queeney Todd returns to London after a decade, this demon bottom is hellbent on revenge for all of the tops that did him dirty. Soon, the scandal is too juicy for the rest of the operatic canon to ignore. As opera's greatest divas, villains, and f*ckboys collide in a whirlwind of camp, couture, and carnage, no one is safe from the barber’s blade.

For their 11th Drag Opera Extravaganza, Heartbeat Opera unleashes a deliciously twisted tale of old wounds, scorned lovers, and sweet, sweet retribution. When Queeney Todd returns to London after a decade, this demon bottom is hellbent on revenge for all of the tops that did him dirty. Soon, the scandal is too juicy for the rest of the operatic canon to ignore. As opera's greatest divas, villains, and f*ckboys collide in a whirlwind of camp, couture, and carnage, no one is safe from the barber’s blade.

For their 11th Drag Opera Extravaganza, Heartbeat Opera unleashes a deliciously twisted tale of old wounds, scorned lovers, and sweet, sweet retribution. When Queeney Todd returns to London after a decade, this demon bottom is hellbent on revenge for all of the tops that did him dirty. Soon, the scandal is too juicy for the rest of the operatic canon to ignore. As opera's greatest divas, villains, and f*ckboys collide in a whirlwind of camp, couture, and carnage, no one is safe from the barber’s blade.

For their 11th Drag Opera Extravaganza, Heartbeat Opera unleashes a deliciously twisted tale of old wounds, scorned lovers, and sweet, sweet retribution. When Queeney Todd returns to London after a decade, this demon bottom is hellbent on revenge for all of the tops that did him dirty. Soon, the scandal is too juicy for the rest of the operatic canon to ignore. As opera's greatest divas, villains, and f*ckboys collide in a whirlwind of camp, couture, and carnage, no one is safe from the barber’s blade.

For their 11th Drag Opera Extravaganza, Heartbeat Opera unleashes a deliciously twisted tale of old wounds, scorned lovers, and sweet, sweet retribution. When Queeney Todd returns to London after a decade, this demon bottom is hellbent on revenge for all of the tops that did him dirty. Soon, the scandal is too juicy for the rest of the operatic canon to ignore. As opera's greatest divas, villains, and f*ckboys collide in a whirlwind of camp, couture, and carnage, no one is safe from the barber’s blade.

For their 11th Drag Opera Extravaganza, Heartbeat Opera unleashes a deliciously twisted tale of old wounds, scorned lovers, and sweet, sweet retribution. When Queeney Todd returns to London after a decade, this demon bottom is hellbent on revenge for all of the tops that did him dirty. Soon, the scandal is too juicy for the rest of the operatic canon to ignore. As opera's greatest divas, villains, and f*ckboys collide in a whirlwind of camp, couture, and carnage, no one is safe from the barber’s blade.

For their 11th Drag Opera Extravaganza, Heartbeat Opera unleashes a deliciously twisted tale of old wounds, scorned lovers, and sweet, sweet retribution. When Queeney Todd returns to London after a decade, this demon bottom is hellbent on revenge for all of the tops that did him dirty. Soon, the scandal is too juicy for the rest of the operatic canon to ignore. As opera's greatest divas, villains, and f*ckboys collide in a whirlwind of camp, couture, and carnage, no one is safe from the barber’s blade.

Nathaniel joins Chamber Music Quad Cities in a recital featuring selections from Franz Schubert’s Schwanengesang, D. 957, with pianist and CMQC artistic co-director Thomas Sauer.

Nathaniel reprises the role of The King in George Benjamin's and Martin Crimp’s Lessons in Love and Violence with the London Philharmonic Orchestra, conducted by Edward Gardner.

The Commission for Old and New Art presents a program of works by Melanie Daiken, Alexander Goehr, Julian Anderson, Harrison Birtwistle, and Tōru Takemitsu.

The Commission for Old and New Art presents a program of works by Melanie Daiken, Alexander Goehr, Julian Anderson, Harrison Birtwistle, and Tōru Takemitsu.

Featuring the world premiere of Michael Hersch’s Agamemnon Fragments for baritone and clarinet. Pre-concert talk at 6:15pm.

Baroque specialist Jeannette Sorrell returns to conduct the New York Philharmonic Orchestra, a quartet of stellar vocal soloists, and her vibrant chorus, Apollo’s Singers. Nathaniel will perform with Apollo’s Singers and cover principal bass soloist Paweł Horodyski.

Baroque specialist Jeannette Sorrell returns to conduct the New York Philharmonic Orchestra, a quartet of stellar vocal soloists, and her vibrant chorus, Apollo’s Singers. Nathaniel will perform with Apollo’s Singers and cover principal bass soloist Paweł Horodyski.

Baroque specialist Jeannette Sorrell returns to conduct the New York Philharmonic Orchestra, a quartet of stellar vocal soloists, and her vibrant chorus, Apollo’s Singers. Nathaniel will perform with Apollo’s Singers and cover principal bass soloist Paweł Horodyski.

Baroque specialist Jeannette Sorrell returns to conduct the New York Philharmonic Orchestra, a quartet of stellar vocal soloists, and her vibrant chorus, Apollo’s Singers. Nathaniel will perform with Apollo’s Singers and cover principal bass soloist Paweł Horodyski.

Nathaniel will perform selected songs by Ned Rorem with pianist Lyndsi Maus.

Nathaniel joins pianist Laura Ward and baritones Steven Eddy and Randall Scarlata in a performance of Dominick Argento’s The Andrée Expedition.

Nathaniel joins pianist Laura Ward and baritones Steven Eddy and Randall Scarlata in a performance of Dominick Argento’s The Andrée Expedition.

Apollo’s Fire and conductor Jeannette Sorrell are thrilled to return to Bach’s most legendary masterpiece on the 300th anniversary of its premiere in Leipzig (1727). Nathaniel makes his Apollo’s Fire solo debut in the role of Jesus.

Apollo’s Fire and conductor Jeannette Sorrell are thrilled to return to Bach’s most legendary masterpiece on the 300th anniversary of its premiere in Leipzig (1727). Nathaniel makes his Apollo’s Fire solo debut in the role of Jesus.

Apollo’s Fire and conductor Jeannette Sorrell are thrilled to return to Bach’s most legendary masterpiece on the 300th anniversary of its premiere in Leipzig (1727). Nathaniel makes his Apollo’s Fire solo debut in the role of Jesus.

Apollo’s Fire and conductor Jeannette Sorrell are thrilled to return to Bach’s most legendary masterpiece on the 300th anniversary of its premiere in Leipzig (1727). Nathaniel makes his Apollo’s Fire solo debut in the role of Jesus.

Apollo’s Fire and conductor Jeannette Sorrell are thrilled to return to Bach’s most legendary masterpiece on the 300th anniversary of its premiere in Leipzig (1727). Nathaniel makes his Apollo’s Fire solo debut in the role of Jesus.

Works by Robert Sirota, Aso Kohzadi, Bahar Badieitabar, and Maurice Ravel.

Two Nathaniels—Sullivan and LaNasa—present a recital featuring Beethoven’s Sechs Lieder nach Gedichten von Gellert, Fauré’s La bonne chanson, and Chris DeBlasio’s All the Way Through Evening.

Nathaniel joins soprano Mary Mackenzie and pianists Vivian Chang-Freiheit and Yun Janice Lu in selected Lieder of Clara and Robert Schumann, Robert Paterson’s Extraordinary, and Bernstein’s Arias and Barcarolles.