The flaw in this logic lies in the fact that, unless we pour ourselves into the creation of unoriginal work at first, chances are we won’t find our idiosyncrasies. It’s in the creation of unoriginal work—yes, of copying other artists (to an extent, and without plagiarizing)—that we figure out how our voice differs from the rest. We learn how our work relates to the genre, and how it differs. Idiosyncrasy is born.

So the irony is: in our feverish search for originality, we actually significantly reduce our chances of ever finding it.